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Sleepwalk

by rsundin

supported by
John Fruth
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katje_
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David Skipper
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1.
Sleepwalk 1 00:27
2.
Sleepwalk 2 00:12
3.
Sleepwalk 3 00:21
4.
Sleepwalk 4 01:23
5.
Sleepwalk 5 02:05
6.
Sleepwalk 6 01:44
7.
Sleepwalk 7 00:21
8.
Sleepwalk 8 00:29
9.
Sleepwalk 9 00:14
10.
Sleepwalk 10 00:40
11.
Sleepwalk 11 00:20
12.
Sleepwalk 12 00:14
13.
Sleepwalk 13 00:23
14.
Sleepwalk 14 00:11
15.
Sleepwalk 15 00:27
16.
Sleepwalk 16 00:04
17.
Sleepwalk 17 00:32
18.
Sleepwalk 18 01:00
19.
Sleepwalk 19 00:05
20.
Sleepwalk 20 00:05
21.
Sleepwalk 21 00:07
22.
Sleepwalk 22 00:13
23.
Sleepwalk 23 01:00
24.
Sleepwalk 24 00:50
25.
Sleepwalk 25 00:26
26.
Sleepwalk 26 00:25
27.
Sleepwalk 27 00:14
28.
Sleepwalk 28 00:41
29.
Sleepwalk 29 00:45
30.
Sleepwalk 30 00:15
31.
Sleepwalk 31 00:11
32.
Sleepwalk 32 00:26
33.
Sleepwalk 33 00:20
34.
Sleepwalk 34 00:08
35.
Sleepwalk 35 01:03
36.
Sleepwalk 36 00:05
37.
Sleepwalk 37 00:57
38.
Sleepwalk 38 00:04
39.
Sleepwalk 39 00:28
40.
Sleepwalk 40 01:21
41.
Sleepwalk 41 00:50
42.
Sleepwalk 42 02:10
43.
Sleepwalk 43 03:10
44.
Sleepwalk 44 15:02

about

Sleepwalk is a frustrating journey, like walking blindfolded through a room constantly bumping into unknown objects scattered across the floor. Improvisations with guitar and toy instruments, field recordings of the wildlife of an urban river in the north of Sweden, some stolen sounds from records, MDs and CDs, controlled feedback, *silence* and noise makes up the sources of this album, all fragmented and processed on the hard-drive of Ronnie Sundin (electronic sound artist from Sweden who started working with music/sound more than ten years ago but surfaced on disc for the first time only four years ago) to create small sound events surrounded with liberal use of *silence*. Sleepwalk is a soundtrack to a dream, or rather the dreamlike state in between wake and dreaming. All good music defies categorization but points of reference might be composers like RLW or Bernhard Guenter who takes great care of detail, structure and restraint an does not impose things on the listener, instead slowly dragging them in.

Improvised/composed using feedback-mixer, guitar, MD's & CD's, percussion, field recordings, laptop.
Recorded 99/00 at the Academies of Fine Arts in Umeå (Sweden) and Trondheim (Norway) + at the Cabin.
Thanks to: Adrian, Andreas, Lasse, Alex and Erik.

Running time 42'48"

Series I

credits

released March 1, 2001

Recorded At – Academy Of Fine Arts, Umeå
Recorded At – Kunstakademiet Trondheim
Recorded At – The Cabin
Design – R. Yau

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Ground Fault Recordings Long Beach, California

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